9
Blue
[Quite a forgettable early song
- too frenetic and unmelodic, trying to be tough. In fact, this is as far
as I got with trying to work out the lyrics after all this time.]
d d d, d d d,
d better days
d d d, d d d,
Are staring straight at me
Scenes change up - blue nine
Things forget
.
Bagworm
Rhumba
[A quite ethereal semi-instrumental
(with dud words added on). Lots of percussion at the end, if that's anything
to go by.]
[Recorded at last M2 session]
Bagworm - we don't care about
our worm
.
Bobbies
[Always sounded fairly awful
live but the recorded version is some sort of dissolussioned mock opera.
It's a bit histrionic in parts but that's not such a bad thing.]
[Recorded at last M2 session]
(lyrics : Rae Byrom)
No ticking, burning in
Eyes stay sharp alert, ah.
No breath walking down as
Every step treacherous step.
It's dark getting darker
Grey light, searing light
Won't stop, wake up
Burn up, wait up
Own up, wait up
One up, wake up
...want that bidden cup - stop.
Tick flash, tick flash, tick
It's dark getting darker
Light that fades onto light
.
Bottle
[Another example of my trying
too hard to write energetic, jerky music. However, it does have some nice
loping moments that contain just a hint of This Heat and the linking section
before the 'chorus' is terrific.]
[Recorded at EP session]
See the closeup of bottles
Every day every week
Wind it up keep it running
Comes to less makes it tease
Closing up in the evening
That's the way every week
Cleaning better what I don't
know
Wipe it cheaper het up talk
Old places help it get that
way
Cold messages can run away
Shutdown
??? from the bottom
Washing ends from the leek
Coming back to the same chair
Catching cold ill at ease
Close it up in the evening
Won't go round every week
Feed lasts feed lasts
Don't need to know
.
Calling
The House
[The only song that we ever received royalties from
because it was played on high rotation for a few
weeks at 2JJJ! A turning point in my song writing where lush chords and
melody become more important than riffs. Quite beautiful too.]
[Released on EP]
Watch and wanna stay
Pick and step ahead
Call the other name
Scratch another day
Listen to all the others say
“We are not here”
List, stay positive
Bounce the coloured ball
Press the fingertip
Push the metal stand
Listen to all the others say
“We are not here”
Calling the house another name
“We are not here”
Call on the house another day
.
Chinchilla
[Droning synth and mesmeric
bass melds into a jumpy chorus that still has a slightly depressing feel.
Peter's guitar playing is terrific.]
[Released on EP]
Speaking, saying, meaning nothing
Speaking, saying nothing
And now the worry see the hit,
hit waste
The sorry look with intake
breathing
Sitting, looking and places
to stay
The time to go but then it’s
Letting down, letting down,
letting down.
Speaking, saying nothing
Speaking, saying, meaning nothing
No time : the words are cut
off without pressure
No time : the words are cut
off without thought
Getting angry, lose the feelings
written
In a letter when my thoughts
were close
.
Coast
[To my mind, one of our best
songs. Another tricky time signature, that still seems normal and flowing,
underneath too quick scatter-shot vocals which then jumps into an elegaic
chorus. The recorded version has great bass/drum interplay. Not played
live much because it was too hard to sing.]
[Recorded at 2JJJ session]
Say it right, closer moving
to the right
But my lighter's in the way.
Think again, smoke another,
still depend
On lighting in the way.
Take a bus, on my mind in a
bus
Sicker feeling will not say
Open up, crying silent, see
that cup
With that feeling.
Let's see what you might mean
Tell me what you know I can't
seem to go.
Take a change, coming closer
to a change
But my tears get in the way.
Looking hard a few inches to
the part
With wetness still the same.
Speaking soft but the words
don't mean enough
When the tearing comes next
day.
Scattered lies, make a cup
-
Another kind of tearing.
Let's see what you might mean
Tell me what you know I can't
seem to go.
.
Dissappear
[A quite simple but effective
later rock song with tight playing by the rhythm section of Peter, Gordon
and Lindsay supporting one of our simplest yet snakiest vocal lines.]
[Recorded at last M2 session]
Are those footsteps yours? Is
it you?
Are those footsteps yours?
In your mind.
Two laughters. Is it you?
Are those footsteps yours?
Is it you?
I don't sit and see
That long walk. Shouldn't be
at
Home long just to see that
Long walk.
.
Drop
It
[Quite shouty and petulant with
an almost melody line in the chorus]
Drop it, See it, Come around
Drop it, See it, Come around
Drop it, See it, Come around
Drop it, See it, Come around
That's what I used to know
I don't have to go
And the way I'm feelin'
I don't want to know
And I used to wonder
And I don't know why
And I used to wonder
I don't have to try
That's what my mother thinks
Would be best for me
When I make her sweat
How can I make her see
That this little boy
Aint the same no more
And I used to wonder
And walk out that door
.
Fierce
Atoms
[Even if Lindsay weren't singing,
this would still be an out-of-the-mould Wild West song. Tight, punchy bass
and simplistic drums (from me) with drones and fantastic echoed guitar
pieces. The singing is great, btw.]
[Recorded at last M2 session]
[Was to have been released on
aborted 4 track multi-band EP with The Tame OMearas, Via Veneto and The
Goat That Went Om. Finally released on M Squared's "A Sampler" compilation.]
(lyrics : Lindsay OMeara)
Been six plus face down
It never stops
Ridiculed fierce atoms
Isometric cup
Open fist delivers passional
Popular equations
Coddles in a cup
Yesterday my hand
Eaten up
...
Given up
Riddle slip and slither
Impassionate
You can force it out if you
want to.
.
Fork
[Starts off with siren like
synth and then turns into
another unmelodic frenetic
number - best forgotten, methinks]
.
Locking
[A quite melodic early song
with lyrics that are more direct than usual and a lovely bridging section.
The strangled-cat cries of 'Wait' should have been less important and insistent.]
[Recorded at last 2JJJ session]
See the face that's in the corner
See the face becoming clear
See the laugh the crease starts
bending
Shrug it off don't get too
near
Like the clothes crumpled in
the corner
Place a hand onto my own
Pick up shirt, pick up pants,
pick up nothing
Staying dumb when I mean much
more
Now as I wait yesterday
Oh, that wait home to say
What I mean
Wait!
Locking the mouth, feel the
skin
Locking the pores, taste begins
Closing my eyes, walking, think
Locking my arms, feel that
link.
.
New
Associations
[A most surprising and depression
filled song. The first and last sections are two simple chords with multi-tracked
vocals by Rae whilst the middle jumpier sections are filled with a controlled
and confronting synth solo!! No drums.]
[Recorded at last M2 session]
(lyrics : Rae Byrom)
Now and then talk to me
See as I see, it could be
Then was now, different ways
It's up to me, a different
way
Look down with you
this new, this new, this new,
this
High
Listen to problems
They've got some problems
Now and then talk to me
.
Newspaper
[A perennial favourite - at
least it seems to have been played throughout the whole life-time of the
band. A great chord sequence in the verse that is reminiscent of the Velvet
Underground and then a much less successful 'other bit'.]
[Recorded at last 2JJJ session]
That newspaper that you were
in
That's right keep it down
Shatter
.
No
Contact
[Another slower songs with
guitar picking, a nice bass riff and low bass synth.]
.
Pelican
[Quite an avant-guarde start
with synth squalls and the lyrics almost recited over a punchy bass line.
Moves to a more conventional middle section and then an almost funky third
section with some great guitar and bass interplay.]
[Recorded at EP session]
(lyrics : Rae Byrom)
When the piss lands on the cement
When noise runs through your
head
Another room it seems to be
you
And I respite without anger
Pattern of disease
Stagnant pattern of disease
Anxious desperate
Anxious desperate
She tell me had to run
Told me
That he had to run
Told me
[When the piss lands on the
cement]
.
Picnic
[Never recorded and I'm not
sure why. A very pretty and decisive 'anthem' (Peter remembers it as 'our
Stairway to Heaven') with a long finger picked intro and one of our best
verse melodies.]
Stay one night in double bed
That cold remains inside my
head
Telephone rings to say that
Picnic's on but far away
"We'll pick you up" there were
delays
They said please don't mention
Things that don't concern us
now
Our friend's actions we will
allow
Let's say see you smile at
Picnic time forget the way
Picnic time forget the way
Train trip to them
Quick hungry meal
Sit next to cars
Stand next to wheels
.
Psycho
[An almost perfect later song
- minor chords, pretty melody, tight, intelligent playing and growling
synths. The first song where Lindsay played drums.]
[Recorded at last M2 session]
Why not wait, I went away
Why not wait, I'm waiting yesterday
when...
Why not wait, I went away
Why not wait, I'm waiting yesterday
when...
Sit up, don't have to wait,
don't have to wait
Sit up, don't have to wait,
don't have to wait
Seeing the word in the world
in the time in the world
.
Red
Sea
[Probably the most successful of the songs where 2-3 sections/riffs are joined together. Quite lovely
Faust-like duelling synths throughout.]
[Released on EP]
Hope you don’t mind...
Rain falls in an abyss
No truth, just emptiness
Sharp rain falls on me
The pain goes in an abyss
All I want, I want in the weather...
Your ruthless mind
An open mouth
Noise, it’s a red sea noise
It’s a red sea noise
.
Sleep
[Another early number that doesn't
quite stand the test of time. Some nice bits but, overall, too many sections
sitting uncomfortably next to each other]
Back turned it's all been said
before
She's right don't wanna fight(?)
no more
Now sleep makes friends
No voice like others
Single winking eye
On my face is the slit
.
Spikey
Mexican
[One of our few instrumentals
- this time drum machine driven and with a fairly complicated set of individual
parts that melds together quite nicely. Unfortunately it's also a bit forgettable.]
[Recorded at last M2 session]
.
Talk
[A clumsy early song that we
got rid of fairly quickly although it did make an appearance at our last
concert. It does have some bits that indicate where we'd be more effective
later on.]
I won't talk, talk
If when we thought
That was just what
When I try talk
Words worse
Try try
Words worse
Try sigh
See words made clear
See words not clear
.
That's
A Story
[The separate sections of this
song are generally quite good but the way they fit together is a bit clunky.
Still - it does have some cogent moments especially a complicated loping
bass line and a wonderful chord change at the end.]
[Recorded at last 2JJJ session]
Stop, stop, you don't stop
Why don't I
Tell you a story
Let's make a story
Some kind of story
Tell you a story
Wind, rain, wish, rain
Room, rain, tick, rain
Grab you soft, rain
Rain is gone, same
Well that's a story
It's all the same
The words aren;t coming
It's not a game.
Grab you soft, Hold you soft
.
That's
Set
[Our last great slow and minor
song with a pretty, high register vocal line and an opposing choral effect
that, unfortunately, doesn't quite work.]
[Recorded at last M2 session]
That's set, that's set, what
do I know?
Would you like something? Yes?
Would you like something worse?
That's set, that's set
I know I need the pleasure
I'll keep it till I sleep.
That's set, that's set
The same old words keep coming
Unnecessary heat
Would you like something? Yes?
Would you like something worse?
That's set, that's set
No meeting in the doorstep
Won't cry until we meet
That's set, that's set
The other voice is closer
And nearer to the heat
Would you like something? Yes?
Would you like something less?
Would you like something? Yes?
Could you like something worse?
Slow down, work down
Nights are better when they're
loose
.
The
One I Know
[A later two parter with sections
that shouldn't really be near each other - undefined and under developed.]
.
This
Widening Effect
[A quite terrible song that
sounded good originally on multi-tracked synth but which didn't work in
the band situation. Most notable for the chorus : "The pouch, the water
hurts" - whatever that meant.]
.
Venture
[Another early song that doesn't
quite gel. It has the MOST clumsy middle/instrumental section I've ever
been involved in. However, this is alleviated on the recorded version,
by Peter playing avant-guarde guitar (he must have hated that).]
[Recorded at last 2JJJ session]
(lyrics : Gordon Renouf)
Pleasure of meeting you
We will be seeing more
Convergence of thought it seems
Don't be that emotional
A new venture
??? of argument
Silence or
ignorance
Pressure to be like us
Those two don't talk much now
A new venture
Tension of different ways
Hidden by moral codes
Conference worked up for two
Until the no talking starts
A new venture
Guilt - I don't work it out
In silence or pity
Make friends by talking sad
Alcohol silence me
A new venture
.
We
Can Do
[One of our most successful faster songs with a weird time signature and hard, gritty playing. Almost
funky as well with a 'parody' of Don't Stop Till You Get Enough at the
end.]
[Released on EP]
There’s not much that we can
do
There’s not much that can be
shut out here
There’s not much that we can
do
Shut ‘em out
I’ve spoken to move
We move the mess again
I’ve spoken to move
We’re loose and guess again
Am I supposed to stay?
Am I supposed to choose?
Can I return to faster thinking?
Can I return to faster thinking?
.
Cover
Versions :
A Different Story (Subway Sect)
- good but inconsistent
Pa Ubu Dance Party (Pere Ubu)
-
awful
Lucifer Sam (Pink Floyd) -
passable
.